“UNITY IN DIVERSITY” (2013) 20 mins – Unity in diversity is a concept of "unity without uniformity and diversity without fragmentation" that shifts focus from unity based on a mere tolerance of physical, cultural, linguistic, social, religious, political, ideological and/or psychological differences towards a more complex unity based on the understanding that difference enriches human interactions.
“SAMYOGITA” (2015 & 2016) 90 mins- Samyogita was a dance production that showcased four different South Indian Classical Dance Forms, Bharatanatyam, Kuchipudi, Kathakali, and Mohiniyattam with an ensemble of 20 dancers, that included established dancers from the GTA, India and the UK. This work explored the commonalities and differences of the dancing bodies within their respective dance forms, complementing each other and conversing through the medium of their respective dance vocabulary.
“SAMARPANA"(2016) 15 mins – A piece choreographed in Bharathanatyam that signifies the complete surrender of the body, mind & soul and belongings by submerging our own identity with that of the almighty.
“OORJA"(2016) 30 mins - is a voyage through the energy that exists within us all. This Choreography explores the energy which begins at its core from within us. Then, it travels into the space around us, finally reaching the infinite. A unique choreography using the vocabulary of 4 South Indian Classical Dance forms: Bharathanatyam, Kuchipudi, Kathakali and Mohiniyattam.
“YATRA” (2018) 75 mins - a riveting duet dance production using the vocabulary of Kuchipudi and Kathak. A choreography as a result of an inspiring quote by RUMI-” The lamps are different, but the Light is the same. One matter, one energy, one Light, one Light-mind, endlessly emanating all things”.
“LEELA"(2018) 20 mins - is a choreography exploring the divine playfulness that indicates a spontaneous sportive activity of the dancing bodies distinguished from a self-conscious volitional effort using the vocabulary of 3 South Indian Classical dance forms. Leela describes reality, including the cosmos, as the outcome of creative play by the divine absolute.
“POORNA” (2019) 15 mins – A solo presentation which describes the Cosmic Dancer Nataraja (Lord Shiva) as the embodiment of equilibrium and tranquillity. It is also an exploration of the concept of the never-ending cycle of time by the dancing body through Mohiniyattam's vocabulary.
“KRISHNE” (2019) 15 mins – explores the possibilities of an unconditional soulful bond between a man and a woman. It describes how the relationship is beyond names, rules and regulations. A solo piece choreographed using the vocabulary of Mohiniyattam.
“SAMA” or Equanimity (2019) 25mins - is a piece choreographed in different dance forms of Kerala, exploring the ground of wisdom and freedom that produces the state stability and composure, which is undisturbed by the experience of or exposure to emotions, pain, or other phenomena.
"VANDE - I bow to you" (2020) 3:30mins - is a dance film acknowledging the land and the caretakers of the land for allowing me to do what I want.
"ISHA" (2021) 5 mins - a dance film. Ardhanarishwara, in which Shiva and his female consort Parvati are held within the same body, is at the centre of this choreographic work based on the Indian dance forms of Kathak and Kuchipudi. Isha showcases the vastness of our Indian dance practices and how they collapse and collide with manifestations of energy beyond notions of sex and gender.
"AKHANDA" (2021)17 mins -a dance film. Akhanda can describe something that is unbroken and uninterrupted. Something without gaps. The phenomena of space and time are continuous materials. They are measured and understood through structures that allow meaning to emerge. This work utilizes Kuchipudi, Mohiniyattam, and Kathak as a choreographic study of continuity. It celebrates a diversity of aesthetics for the body within space and time, uniquely expressed through each form and delicately layered in conversation with each other.
“THRAYAM” (2022) 20 mins- Thrayam engages with the number "three" as a philosophical and spatial proposition and explores this idea through the embodied grammars of Bharatanatyam, Mohiniyattam, and Kuchipudi. Three distinct vocabularies coexist—not to merge, but to converse. It is a choreographic terrain where form is not fixed, but continually redefined through relation. Thrayam is a field of coexistence, where the tension between distinction and resonance becomes the very language of the work.
“VAMSHAM” (2023) 90 mins- A solo choreographed in the traditional Bharatanatyam Margam, inspired by the divine family of Lord Shiva.
“GANGA” (2024) 12 mins- Ganga is a short ensemble work that narrates the birth of the river Ganga using the vocabulary of Bharatanatyam and Mohiniyattam
